Credit: Darren James

Modern and baroque violist Katie Yap plays regularly with Australia’s finest ensembles including the Melbourne Symphony Orchestra, Van Diemen's Band, Australian Chamber Orchestra, Australian World Orchestra, Australian Brandenburg Orchestra, and has joined groups like the Academy of Ancient Music overseas. Her greatest love is chamber music, and she is a founding member of prog-baroque quartet Croissants & Whiskey, the Chrysalis Harp Trio, and crossover folk/baroque group Wattleseed Ensemble.

Katie is fascinated by music’s ability to tell stories and bring people together. As the 2022 Freedman Fellow, her project Multitudes explores the nexus of folk, baroque, and new music styles, and a life-long fascination with improvisation.

She will create four new works through collaborative composition with partners in crime Emily Sheppard (fiddle/voice), Donald Nicolson (harpsichord/electronics), Bowerbird Collective (violin and cello), and Mindy Meng Wang (guzheng), exploring themes of cultural identity, environmental storytelling and activism, and the physical joy of music-making.

Katie has become known for her curation and project management, and she explores this side of her career through her role as Artistic Director of the 3MBS women-in-music festival, Music, She Wrote and Wattleseed Ensemble. She is also a passionate educator, having taught viola at the University of Queensland and Monash University, and she has an intractable habit of stress-baking, which can make for delicious rehearsal breaks!

    Katie lives and works on Wurundjeri land, and acknowledges their elders past and present. Sovereignty has never been ceded.